Brian Olewnick in Squidsear on Play Alvin Lucier Chambers – “A fine conception in and of itself and also a sterling example of how far you can take an open score like that of Lucier if you use a little imagination. Excellent work.”
Ed Pinsent in The Sound Projector on Super 8 – “Often, one feels a nostalgic longing for experiences that never even happened. Is this even possible? If you’ve ever felt similar strange sensations in the face of beautiful and inexplicable art, Rinus van Alebeek will make you feel at home.”
Francesca Rita Rombolà in Poesia e Letterature on Play Alvin Lucier Chambers – “Alcuni di questi suoni o anche semplici rumori sono riusciti, in me, a suscitare qualcosa: forse un moto interiore, dei ricordi d’infanzia perduti o rimossi, ma pur sempre un qualcosa che rimanda a un tempo semplice e nudo…”
Daniel Barbiero in Percorsi Musicali on Play Alvin Lucier Chambers -“…a capturing of the essence of the real through artifice. A kind of transcendental realism in which a somehow true picture of Calabria emerges through multiple filters.”
Ed Pinsent in The Sound Projector on Play Alvin Lucier Chambers –“Van Alebeek in particular has a knack for revealing the hidden aspects and traces of modern life with his questing microphones and glitchy cassette tapes, resulting in magical-realist documents that seem dreamlike in their vividness and impossible beauty, and these qualities abound on this release.”
FdW in Vital Weekly on Super 8 -“You recognize a sound, and sometimes you don’t and all along Van Alebeek transports you in a most curious coach trip. Think Luc Ferrari, but then much more lo-fi.”
Ed Pinsent in The Sound Projector on Ranch, Stories from the West Coast – “The sounds here of, for example, rainfall, sad and slow piano music, distant radio voices, spoken word fragments, and more rainfall, are edited and juxtaposed with a grace and sympathy that’s bordering on the mystical. Most creators would have to hypnotise themselves in a mirror before they could arrive at the state of omniscience which Van Alebeek is apparently able to summon at will.”
Ed Pinsent in The Sound Projector on Algiers – “Exceptional work, imaginative, strong”
Frans de Waard in Vital Weekly on Audiozine #2 Diktat in America – “You listen to a trip and fascinating that is.”
Flavien Gillié in The Field Reporter on Diktat in Berlin – “And the more one listens to this fierce album, the more come to one’s mind Moondog, who played in streets and ended his life in Germany. This choice to record this Diktat in Berlin makes even stronger the assertion that those four are indeed the dignified heritors of the incredibly missed Louis Thomas Hardin.”
Ed Pinsent in The Sound Projector on Audiozine #2 Glenn Branca – “I sometimes wonder why other “artistic” field recordists tend to produce such dead documents of the environment: sedate, minimal, almost inhuman in their clinical beauty. Then you hear an ugly but vital document like this one, almost scary in the way it depicts and totally embraces the raw and bleeding inhospitality of modern urban life.”
James Wyness in Fouter and Swick” on You can Kill a Pig in July – “Captivating, engaging, warm and intimate.”
Richard Allen in A Closer Listen on The 19th Century – “Loud, brash, and seemingly chaotic, the tape takes a while to reveal its form. It stops, it starts, it stares, and eventually it inspires a begrudging awe.”
Brian Olewnick in Just Outside on Plays Cycle des souvenirs by Luc Ferrari– “It’s a wonderful idea … and works brilliantly … it all blends with the “Cycle” as though it had always been there.”
Julian Cope in Head Heritage on Plays Cycle des Souvenirs by Luc Ferrari– “What to make of this disc? I’ve no idea other than I play this sucker constantly.”
Early Piano Works Vol 2: The American Recitals
C46 Read more
Don’t Talk at the Disco/Elvis, Ein Volk
More words here
Stop the Music
excerpts and words here
S U P E R 8
more pictures and words here
Rescue Radio On
Elevator for the Death
Rinus van Alebeek & Michał Libera play Alvin Lucier Chambers
Released by Populista for Bôlt Records
Rinus van Alebeek and Michał Libera set out for a dozen of excursions into Calabrian towns armed with Italo Calvino’s ‘Invisible Cities’ as a guide book, to recite, talk, read, listen, drink coffee, perform, play, record, play back… or: blow, bow, rub, explode, scrape, walk, ignore, talk, dance, whistle, which are all suggestions of Alvin Lucier to make large and small resonant environments sound. The material recorded during these attempts to make invisible cities of Calabria sound was then composed by Rinus van Alebeek to form a road-audio-book.
10€ worldwide shipping included, order here or drop me a line-> binnen at staalplaat com
Released by Lonktaar.
Thirty minutes mix/collage/scape of recordings I made and cassettes I found during a residency on a ranch in California.
Don’t Talk at the Disco
Self Release, mainly as a postal item.
The piece takes thirty minutes with six titles to define the seperate episodes. I kept the mistakes. I treated or mistreated my several walkmans to get the hickuping, stuttering sequences so typical for the medium. You get hiss, that changes into wind, changes into the rolling sea.
And that’s not all. There are true pop songs on it. Unexpectedly so, but it is the way I liked to cut and loop some of the tapes (Mantovani, Bollywood). Once it is finished, you get it out and play the other side.
The other side is different.
Material used was found on tapes with either my own, unknown or commercial recordings
Diktat – Audiozine#2 Diktat in America
Released by staaltape
Audio Diary of Diktat’s visit to the US. Conversations, extracts from in and outdoor performances, encounters, coffee and beer. Diktat are Harold Schellinx, Emmanuel Rébus, Rinus van Alebeek on various dictaphones and Jean Bordé on double bass.
Released by Haltapes
Two audio tales recorded directly on mini-cassette on various locations in Berlin.
Hollands Spoor – Werkzaamheden
Digital release by Soundblog
Says Harold Schellinx:
“Sometimes Rinus van Alebeek and Har$ become the ad hoc impromptu tape tinkering dictaphone duo Hollands Spoor. In 2013 this happened twice, during two consecutive editions of Tales for Tapes, both celebrating the 50th anniversary of the audio compact cassette. This digital EP contains two extracts of the recordings of these 2013 = C50 performances, each lasting a little under ten minutes.”
The recordings were made in Paris and in Berlin.
ALGIERS (self release)
Recorded live at West Germany in Berlin.
Cassette of 30 minutes.
She Will Be Beautiful – 51 Days (duo with Anton Mobin)
Cassette of 60 minutes with two live versions of the duo, recorded in Bruxelles and Berlin.
Released by/available at H.A.K. lo-fi record.
Rain on your Hands on side one was recorded live directly on cassette at the Placard Festival held in Audioscoop, Maastricht, early in the year 2007. Three walkman played back recordings over three headphones. The microphone was right in the middle of the six little headphone speakers. It captured the recordings, my voice, the mumbling of the audience, a stolen cassette with stolen conversations and my play of the piano in the adjacent room.
All the titles on Side B came together in this order in the first days of december, 2010. The sounds come from my own recordings, some of them pre-fab compositions, some of them for the very first time united as you hear them. It is a collage of very fast cuts, piano, readings, memories, diary’s, done in the spirit of the old reel-to-reel cut and glue tradition.
The bonus track on Lala Lala is the Lala Lala bit of a Cambodian cassette presented to me by Blenno, reworked with my Marantz.
RANCH (self release)
C30 in an edition of twenty copies.
Every copy is a different mix, done in one go per side.
Available at staalplaat store
When listening back to the recordings, I couldnot help noticing that I had captured a moment in the newest history of the West Coast. This didnot happen because of my composing skills, if at all I have any. It is a simple result of the radio voices, the dated music and the snippets of the book by the zen master that got destructed or highlighted, but also mixed with the more intimate sounds of my recordings (that in fact could have been anyone’s recordings).
I connected three walkman to a fourtrack and used the fourtrack as a mixer and a player. In this way I could do a mix using four different sources and record them at the same time on my Marantz.
Glenn Branca (staaltape 2013)
Glenn Branca is a black chrome cassette of 60 minutes.
Side A – City of Music
This is a long composition in which parts of the Branca recordings and New York City location recordings are used.
Side B – Paris – New York
This piece is the complete recording of the backstage conversation.
Side B – D.C.Sept. 30 2012
Excerpts from the performance.
The recordings on dictaphone were made by Harold Schellinx, Emmanuel Rebus and me. The New York location recordings were made by me.
Available at staalplaat
with the use of a professional walkman
Cover picture by Barbara Gessner
Last year Diktat performed inside and outside in Berlin.
The digital album Diktat – In Berlin documents the audio part of these performances. Throw in your Dollars or Deutschmarks and make it yours:
Diktat is Jean Bordé on double bass, Harold Schellinx, Emmanuel Rébus and me on various dictaphones.
Follow DIKTAT @diktat_us
Released by Idiosyncratics Records
Factory duplicated tape with handmade artwork.
Snapcase (including j-card) comes in a cardboard hand-stamped packaging.
Four Corners of the Night
(also with Anton Mobin, Pierce Warnecke/Kris Limbach)
released by Staaltape
“The title says it all: this is a dark, bleak tape that succeeds in showing glints of humanity among the pieces. Singular in tone (…), not by choice or action, but by circumstance. A very compelling, if slightly short listen.” – Ben Marat, Los Angeles
“This tape will haunt you.” – Paul Buonaventura, Leicester
” I recommend this tape highly to not only field recording lovers but also to those who just want a good listen.” – Carmen Polanski, Buenos Aires
“it could easily be the most beautiful or the most infuriating thing you’ve heard for weeks.” – Ed Pinsent in The Sound Projector
(cassette – c60) on Stront
philosophie avec moi/la muerte es mentira
( CD) POPULISTA presents RINUS VAN ALEBEEK plays LUC FERRARI Cycle des Souvenirs
Official release date: 15.10.2011
Populista is a CD series curated for Bolt Records
“a curious item, which leaves – again! – a lot to ponder about” – vital weekly
“OK, this is a little confusing.” – Olewnick, Just Outside
“The original piece was itself a collection of memories from former haunts, and Alebeek squares that circle beautifully… ” – The Wire, Dec.2011
“Endlich, endlich, endlich!” – Skug, Journal für Musik
“…this record significantly revitalises the genres of field recording and tapework” – The Sound Projector
“Zapisuje na taśmie wspomnienie o graniu „cyklu wspomnień” kompozytora, który specjalizował się w muzyce na taśmę. Cyklu, w którym składniki funkcjonują w cyklach i mają się spotykać w sposób losowy, tworząc przypadkowe konstelacje i wrażenie.” – popup music
” En cirkel sluts på ett briljant sätt.” – Johan Redin, soundofmusic
“at album’s end, listeners feel obliged to do their own noisy fidgeting, so embedded in your own life has this record become.” Julian Cope
Luc Ferrari ( cdr + booklet, in 7″” deluxe package ) released by Mathka
Recorded on October 28th, 2010
at the house of Luc and Brunhild Ferrari in Montreuil, France.
Addidtional voice by Brunhild Ferrari.
Picture of Rinus van Alebeek by Mireia Guzman.
Picture of Luc Ferrari, filming of “Les Grandes repetitions: Deserts” (1965)
by Laszlo Ruszka (C)Ina.
“Maybe I got it all wrong. I have no idea..” – vital weekly
“Et malgré cela ce disque est magnifique. Merci à Rinus van Alebeek de m’avoir choisi de tels voisins.” – le son du grisli
“It’s a wonderful idea … and works brilliantly … it all blends with the “Cycle” as though it had always been there.” – Olewnick, Just Outside
“Hmmmm…not really sure what to do with this one.” – foxy digitalis
Two releases on Staaltape, follow the links for extensive information:
Tales for Tapes #7 (4 euro)
Live moments on this cassette release.
THE BBC SESSIONS
Tape limited to 33 copies
A1. Rinus van Alebeek: Bois de la Cambre, Brussels 28.02.2010
A2. Tzii: Jean Robie Straat 51, Brussels-Sint Gillis 13.12.2009
B1. Rinus van Alebeek + Tzii: Mariannenplatz 23, Berlin-Kreuzberg 30.04.2010
B2. Tzii + Rinus van Alebeek: Rue Jean Robie 51, Brussels-Saint Gilles 13.12.2009
“Liebe Neurose & Christliche Moral” / “Day by day” – split with Anton Mobin
A new release at palustre:
It’s been a while since I first met Rinus and his rolling circus of magnetophones. Here you get a someway threatening collection of analog sounds, tape atomization, and spoken words.
Anton Mobin works perfectly as a companion on this split release, this capturer of fleeting moments based in Paris seems to be surrounded by some strange sounds…
File under: environmental metaphysics, subliminal field-recs.
c(60) Limited to 50 copies- sprayed tapes
poets in exile.
Musik für Mitte Cdr ( editions zero – absurd
The Russian Novelist C-40
(side a the russian novelist
side b philosophy avec moi
Two narrative compositions with the use of techniques taken from literature)
Lebend in Berlin C-40
(side a brahms
side b bruhms
A live recording from a duo performance with Der Tapeman)
Lebend in Berlin is available at staalplaat